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Adamson, A. “Calaban”, June 1987. Demonstration at Birmingham University, England. Adorno Theodor W. 2004. filosofia da nova música. 3 ed. São Paulo:
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Ascott, Roy, Art & Telematics: Toward the Construction of New Aesthetics. NTT Publishing Co, 1998.
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Badler, Norman I., and S. Smoliar. “Digital Representations of Human Movement.” Computing Surveys XI/1 (March 1979). 19-38. (Bibliography)
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Brown, M., Smoliar, S., and Weber, L. “Preparing Dance Notation Scores with a Computer”. Computers and Graphics, 3(1):1–7, 1978.
Brown, Maxine and S.W. Smoliar. “University of Pennsylvania’s Moore School of Electrical Engineering . . .” Dance News (September 1977). 19. (Can create on screen and save in memory a notated page using a special keyboard. Required a SPERRY UNIVAC 90/70 system.)
Brown, Maxine D. A Graphic Editor for Labanotation (M.Sc. Thesis.) Moore School of Electrical Engineering, University of Pennsylvania, 1976. (It is based on a one-to-one correspondence between a subset of the ASCII character set and a set of basic Labanotation symbols, with the provision that a Labanotation character may be qualified by additional data concerning its size, shading, orientation, and position. Because of limited ASCII subset, certain Labanotation symbols must be composed by superimposing two or more of these qualified characters. The computers does not recognize the superposition as defining a single symbol such as black dot and empty square to make pelvis.)
Brown, Maxine D. and S. Smoliar. “Preparing Dance Notation Scores with a Computer.” Computers and Graphics III/1 (1978). 1-7.
Brown, Maxine D. and S.W. Smoliar. “A Graphic Editor for Labanotation.” Computer Graphics (Proceedings of the 3rd Annual Conference on Computer Graphics, Interactive Techniques and Image Processing, ACM Computer Graphics) X/2 (Summer 1976). 60-65.
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Canada, June 1979. Edited by Diana Taplin. Toronto and others: Pergamon Press. 169-78. (Describes a system in which Labanotation commands are inputted to create a solo animated dancing stick figure with 36 joints. Input is based on distal and proximal joint numbers, and other parameters. A database records the Cartesian co-ordinates of the joints, which through projective geometry, are displayed at 14 frames per second. Values computer as a tool and not a means of expression. Suggests macro commands (complex programmed sequence) for complicated actions, such as walking. Required originally and IBM 370/155 but altered to PDP-11/34 system.)
Calvert, T., Bruderlin, A., Dill, J., Schiphorst, T., and Welman, C. “Desktop Animation of Multiple Human Figures”. IEEE Computer Graphics and Applications, 13(3):18–26, May 1993.
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Du corps a l’avatar/From Body to Avatar, Anomalie digital_arts 1, 2000.
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Ellen R. Bromberg, with Johannes Birringer, Jimmy Miklavcic, David
Equivalence between movement and music.” Editado por Mirolsava
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Goodman with Kozel and Milton, ‘The SMARTshell: Connecting Performance Practice to Tools for Connected Learning’ (on creation of the Extended Body Telematic Performance Methodology Toolkit’, in A Guide to Good Practice in Collaborative Working Methods and New Media Tools Creation (by and for artists and the cultural sector), eds. Goodman and Milton. Online 2003/Oxford; Oxbow Press, 2004.
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Herbison-Evans, D. “Dance, Video, Notation and Computers”. Leonardo, 21(1):45–50, 1988.
Herbison-Evans, D. “Publications”. Several articles relating to computers and dance/ dance notation and computer animation.
Herbison-Evans, D. and Politis, G. “Computer animation by choreography”. Australian Computer Science Communications, 9(1):294–303, February 1987.
Herbison-Evans, D. NUDES 2: A Numeric Utility Displaying Ellipsoid Solids, Version 2. Technical Report 125, Sydney University, Basser Department of Computer Science.
Herbison-Evans, D., Neilands, N., and McNair, B. “Computer assisted choreography teaching”. In Proceedings of the 11th Australian Colleges of Advanced Education Computing Conference, pages 282–290, 1980.
Herbison-Evans, Don. “NUDES 2: A Numeric Utility Displaying Ellipsoid Solids, Version 2.” Computer Graphics (SIGGRAPH ’78 Proceedings 23-25 August 1978, Atlanta, Georgia. Edited by Richard L. Phillips.) XII/3 (August 1978). 354-56.
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Hutchinson, Ann. “A Reply [to A. Michael Noll's “Choreography and Computers” Dance Magazine (January 1967). 45-46, 81-81. (Analysis of movement is the bridge between dance and computer technology. Some choreographers are not clear about their movement ideas, or need the stimulation of real dancers to inspire kinesthetic ideas, and would not easily adapt to computer usage. Inner motivation of movement difficult to determine.)
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Kozaburo Hachimura, Hiromu Kato and Hideyuki Tamura: A Prototype Dance Training Support System with Motion Capture and Mixed Reality Technologies, Proceeding of the 2004 IEEE International Workshop on Robot and Human Interactive Communication, pp.217-222, 2004.
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